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Kodak introduced the No. 3A Folding Pocket
Camera (below) in 1903, and the stage was set for both
professional and amateur production of black & white photo postcards, which were early on
referred to as: real photo post cards (RPPCs). Variants of the No. 3A were manufactured until 1943.
Kodak #122 film was discontinued in 1971.
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When folded, the No. 3A camera could easily
fit a jacket pocket or purse. More importantly, from
an archival perspective, the large Kodak #122 roll film negative was the same size as the print,
approximately 5 1/2" x 3 1/4". In the early days of photography, enlargers were bulky and
expensive, hence they were rarely used for casual photography. The result is that real photo
postcards are incredibly detailed if properly taken and preserved.
Post cards that were actual photographs were almost always distinguished as such by
information imprinted by Kodak ( and other manufacturers of post card photo paper) on the
back of the card. Creators and sellers of post cards wanted there to be no confusing a real
photograph with an image printed on a printing press. The continuous tone print of a
photograph produces a much more detailed visual record. The following three post cards
exemplify the way this message was conveyed to customers.
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